▼▼▼
| While reading up on drummer Lloyd Knibb from the legendary Skatalites, stumbled upon this 1964 news clipping. This is at the peak of the band’s introduction to Jamaican music scene and just before their initial breakup. Knibb mentions that his favorite musician at the time was bebop drummer, Frankie Dunlop. This is valuable information from a drumming perspective. It’s known that the Ska beat was influenced by Nyabhingi, Jamaican Boogie, and Burru rhythms (see Wicked Beats by Gil Sharone). But it’s worth highlighting that the modern drum kit was still a relatively new at the time, and bebop jazz drumming style set the standard for many artists, including Lloyd Knibb. Frankie Dunlop certainly deserves some attention. Dunlop was one of Thelonious Monk’s preferred drummers, and some believe he was Monk’s most swinging drummer. Some Dunlop albums to check out- Tijuana Moods (Charles Mingus, recorded 1957, released 1962) Start with this album to hear Dunlop’s early versatility, as Mingus’ compositions require a blend of swing, Latin rhythms, and expressive dynamics. Highlife (Randy Weston, 1963) Transition to this album to explore Dunlop’s work in fusing African-inspired rhythms with jazz, showcasing his adaptability in non-standard jazz contexts. Monk’s Dream (Thelonious Monk, 1963) Enter the realm of classic bebop with Monk’s distinctive approach, where Dunlop’s drumming balances structure and spontaneity. Criss Cross (Thelonious Monk, 1963) Follow up with this album to deepen your appreciation of Dunlop’s chemistry with Monk, featuring more complex and playful rhythmic interactions. Alfie (Sonny Rollins, 1966) Conclude with this soundtrack album, where Dunlop complements Rollins’ lush, cinematic themes, showcasing his ability to provide subtle yet dynamic support. |
▲▲▲
/GOTR/DD/M 